Danny Ellis' Irish Bestselling Memoir, "The Boy at The Gate" now available in the US. 
Reviews

BOOKLIST ~Bridget Thoreson;
Abandoned by his mother at age eight at the notorious Artane Industrial School in Dublin, Ellis lost his childhood. Decades later, the professional musician begins to recover his past by recording the album 800 Voices about his experiences, and this powerful memoir gracefully tells that story. A gifted writer, Ellis is effective at presenting abuse and neglect from the young boy's perspective, without the elaboration of hindsight, the pathos of the memories only unraveling fully later. The tale is as rough as his tweed trousers and hobnail boots, rough as the cold showers and stinging leather straps he was forced to endure. Ellis is at his most poetic when writing about the power of music to protect and motivate him. The neglectful parents, the cruel Christian Brothers, and the scrappy orphanage boys are fully drawn, without mercy but equally without demonizing them. The rare moments showing kindness and courage in those surrounding him sparkle against a relentlessly grim backdrop. Filled with both winks and tears, this book proves that goodness can shine even in the ugliest places.

KIRKUS
When Ellis began writing the lyrics for his 2009 album, "800 Voices," he found himself unexpectedly overwhelmed by memories of his years at the Artane school for boys, an institution known for mistreating its unfortunate charges. He was just 8 years old when his alcoholic mother left him with the priests who ran Artane. She told her son she would take him home one day; instead, she left for England with a lover and never returned. In a story that alternates between his successful present and harrowing past, Ellis details how he survived the years of savagery at the hands of the school's sadistic, whip-wielding priests to become a critically acclaimed musician. A combination of street-honed canniness and steadfast friendships with other boys saved him from the at-times bloody extremes of physical victimization. But it was the Artane Boys Band that saved his soul and gave him a place to express the anger, pain and confusion that roiled inside his "fighting Dublin heart." A priest encouraged him to take up the trombone, an instrument on which Ellis was able to hone his gift for music. By the time he was 15, his skill and talent attracted the attention of a respected Irish musician who helped the young trombonist get work on the Irish show-band circuit after he left Artane. That Ellis uses the narrative to unearth a deliberately forgotten past makes for compelling reading. But what makes his work even more affecting is the way he uses his story to liberate the voices of otherwise forgotten children who endured "one of the most abusive and brutal institutions in Ireland."
Heartbreak at its most bittersweet. Kirkus Literary Journal
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